My process is specific: I paint as a printer.  Echoing that machine, I use only four colors: cyan, magenta, yellow and black.  In this scheme, the black layer stands in for a grisaille underpainting.  The painting develops in the same manner as a print.  I layer the colors in an additive process, which allows for progress in only one direction.  The finished product hangs like a movie screen, swaying slightly when a person walks by.  

In order to fully understand a thing, we need its adverse, or adjacent-other to compare it to.  My paintings reside in this flux in-between two themes, referencing romanticism and technology - history and the present – all at the same time.  The paintings exist in an over-lap of nostalgia and social media.  


Selected Exhibitions


MEASURES, The Art Vacancy, Brooklyn, NY, curated by Sáng Huynh & Lindsey Puccio

Little But Fierce, Chashama + AANYAA, New York, NY, curated by Cameron Ledy

Painting the Figure Now, Wausau Museum of Contemporary Art, Wis. co-curated by Didi Menendez and Walt Morton

New York Academy of Art Twelfth Annual Summer Exhibition, Flowers Gallery New York, NY curated by Matthew Flowers, Nicole Berry, Alice Gray Stites, Ambre Kelly, and Richard Vine


The Other Art Fair, Brooklyn Expo Center, curated by Rebecca Wilson, Maria Brito, Ashley Stewart, Jessamyn Fiore, Emily Steer and Amber Harper

Single Fare 4 at Highline Stages, New York, curated by Michael Kagan, Jean-Pierre Roy

Transaction In #Selfie Project, New York curated by Leni Smoragdova

The Figure: Interpreted Through Contemporary Mediums, Site:Brooklyn Gallery, NY, curated by Barbara A. MacAdam




Young Associates Show, Chelsea Art Museum, New York, NY

TEAMWORK,  Allan Nederpelt Fine Arts International, Brooklyn, NY


New York Academy of Art Summer Exhibition, New York, NY curated by Anne Strauss Eric Fischl, Matthew Flowers


New York Academy of Art Summer Exhibition, New York, NY curated by Jenny Saville Vincent Desiderio, Eric Fischl



PoetsArtists Magazine, Painting the Figure NOW, Issue 95, July 2018,  Curated by Walt Morton Poets & Artists: Painting the Figure Now @WMOCARichard Purssey (Jun 2018) 

A5 Portfolio  #14 (May 2018) 

Average Art Magazine #21 (Apr 2018)

Contemporary Visual Art Zine #6 The Body (Feb 2018)

Wotisart? Magazine #10  (Jan 2018)

A5 Portfolio  #10 (Jan 2018) - 100 Artist Studios (Dec 2017)

A5 Portfolio  #9 (Dec 2017) 

Wotisart? Magazine #9  (Dec 2017) - 100 Facebook Portraits (Nov 2017)

A5 Portfolio  #7 (Oct 2017) 

Wotisart? Magazine #7  (Oct 2017)

Average Art Magazine #15 (Oct 2017) - Art Periods And Contemporary Art (Oct 2017)

Create! Magazine IV (Sep 2017)

         Average Art Magazine #14 (Sep 2017)

Average Art Magazine #12 (July 2017)

Wotisart? Magazine #4 (July 2017)

A5 Portfolio #4 (July 2017)

PoetsArtists Magazine, The New Nude, Issue 86, July 2017,  Curated by Walt Morton.

PoetsArtists Magazine, The Portrait, Issue 83, April 2017,  Curated by Lorena Kloosterboer.

Arno, Rivka, “The Art of Banking,” The Clearing House/Banking Perspectives, Quarter 3, 2016.



The Clearing House, Grace Building, New York, NY

Darren Woods, CEO ExxonMobil

various private collections 


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